In her Foreword, Agatha Christie Mallowan cautions the reader not to
expect grand revelations in her archaeological travel journals, which
have been compiled into the book Come, Tell Me How You Live. She says it
is only “everyday doings and happenings.” Grand revelations they may
not be, but what fascinating, delightful stories! When I finished
reading this book, I just wanted to read it all again.
Although
Christie’s husband, archaeologist Max Mallowan, and his crew sought
artifacts from 4000 B.C. civilizations and earlier, Christie’s diaries
of their digs illumine Middle Eastern civilization in the 1930s and
1940s. Her stories show acceptance, good humor, cleverness, and
curiosity regarding Syrian, Armenian, Turkish, Serbian, and Arab
cultures as well as frustrations of their conflicting religious beliefs
and primitive living conditions. Furthermore, the reader gains a clear
understanding that Christie loves these people despite difficulties of
living and working there for months at a time. In her words, “For I love
that gentle fertile country and its simple people, who know how to
laugh and how to enjoy life; who are idle and gay, and who have dignity,
good manners, and a great sense of humour, and to whom death is not
terrible.”
I marveled at Christie’s pluck and aplomb facing dust
storms, scorching desert heat, cockroaches, mice, bats, no plumbing, no
roads, and unreliable vehicles, among other obstacles. I enjoyed the
frequent humor in her descriptions and laughed out loud at some stories.
Her observations of the people on their archaeological teams as well as
the locals they encountered fascinated me; she showed such acceptance
and good humor. Even when the British visitors clearly knew they were
being taken advantage of by local authorities, they just grinned and
aimed for win-win solutions. I so enjoyed going along on Christie’s
happy, sporting adventures.
The only downside to this book is its
lack of maps. Today’s maps don’t show relevant towns and boundaries
from 70 years ago. Also, Christie often refers to routes, rivers, and
tells (such as Tell Halaf and Tell Brak, mounds indicating ancient
villages) that I’d like to be able to picture. Photos of people, places,
vehicles, and operations would also have enhanced my experience.
Come,
Tell Me How You Live is itself a lively, entertaining
sociology-anthropology study. Christie's joy in being among Middle
Eastern peoples is evident.
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