On
this frigid day in Colonial Williamsburg we watched silversmiths fashioning
bowls by hammering sheets of silver over round molds. There was a forge in the
back room of the shop, but I suppose today the women preferred to be by the
steady warmth of the toasty fireplace up front. We shivering visitors certainly
preferred standing by that roaring fire.
Here
are some spoons they had already made and a display of the making of a
spoon—start to finish. The silversmith began with a small bar of silver, shown
at the top, and two hours of pounding later, ended up with a spoon like the one
at the bottom.
Polishing
to a high gloss was done with pumice (volcanic rock), tripoli (silica), and
jeweler’s rouge (fine abrasive powders). One silversmith demonstrated making
intricate designs in silver by using a punch, drill, and jeweler’s saw. In more
complicated artistic creations, such as jewelry, and utilitarian pieces, such
as teapots, s/he would solder pieces together. In colonial times a silversmith
was considered somewhat of a sculptor.
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