My subsequent tours with different groups of family and
friends were no less inspiring. This autumn, our visit day’s torrential rains
kept many crowds away, which was to our advantage, but sadly, prevented our
touring the gardens and conservatory, so maybe my fourth visit was a tad less
inspiring but certainly through no fault of the house. Now admission is just
shy of $74. I would have balked at that, but for my eagerness to time-travel to
that era’s showcase of beauty, civility, and tranquility. The house tour was
four-plus hours, but I have space to share only a few notable impressions here.
George Vanderbilt loved Christmas and opened his country
retreat, Biltmore estate, to friends and family on Christmas Eve, 1895, after six years of construction.
Because Robert and I visited the week before the Biltmore’s two-month Christmas
events began, you will see in my pics some Christmas decorations already in
place. My post also reflects Vanderbilt’s passions for art, literature, and
horticulture.
Vanderbilt’s vision was profoundly inspired by architect Richard
Morris Hunt and landscape architect Frederick Law Olmsted. Two of famous
portraitist John Singer Sargent’s framed portraits hanging in Biltmore house
are of these two men. Olmsted’s influence is seen in the forests lining the
miles-long, winding entrance road to the estate. Meticulously curated trees of
myriad varieties and colors were wondrous to behold. I was so struck by these
forests’ unique, majestic beauty, I did not want to take my eyes off them long
enough to snap a photo. After George Vanderbilt died at age 51 in 1914, his
widow Edith sold to the federal government 86,700 acres of Biltmore estate for
a national park. This land became part of Pisgah National Forest in 1916. What
a legacy!
In the house hang hundreds of framed prints and woodcuts
bought by Vanderbilt. In the array shown here, the farthest right frame
contains Dürer’s
famous rhino print. In 1515 Albrecht Dürer
based his drawing of a rhinoceros on other people’s descriptions of an animal
with scales, resembling a tortoise, and well-armored to remain safe if attacked
by an elephant. His 1515 woodcut was one of the first to be mass-printed in
Europe, and since most people had never laid eyes on a rhino, they believed Dürer’s rendition to be
accurate. It wasn’t until 100 years later that people became aware that an
actual rhinoceros does not have scales or a shell. Another irony in this is
that Dürer’s legacy
includes more than 1,000 drawings based on actual observation of the natural
world. He usually only represented what he had actually seen. Ironic that this
inaccurate one “went viral.”
Vanderbilt ran out of time before reading all 22,000 of his beloved
books, but a docent showed us his journal indicating he had read 3,159 books,
the last before he died being a history of the United States.
Oh, the stories we heard from our audio guides … Okay, two
more. Just in case the Nazis showed up on our soil to pillage our country’s
great works of art during World War II, Edith helped the National Gallery of
Art hide priceless artworks at the Biltmore. Although George ran a tight ship
(All clocks in the house, barns, and out-buildings were synchronized), George
and Edith were kind to their servants and families, ensuring their literacy
education and health care, bringing food baskets to their homes, and giving
generous Christmas gifts to the children. George loved Christmas.
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